| Free Art License |
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| [ Copyleft Attitude ] |
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| version 1.2 |
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| Preamble : |
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| With this Free Art License, you are authorised to copy, distribute and freely |
| transform the work of art while respecting the rights of the originator. |
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| Far from ignoring the author's rights, this license recognises them and |
| protects them. It reformulates their principle while making it possible for the |
| public to make creative use of the works of art. Whereas current literary and |
| artistic property rights result in restriction of the public's access to works |
| of art, the goal of the Free Art License is to encourage such access. |
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| The intention is to make work accessible and to authorise the use of its |
| resources by the greatest number of people: to use it in order to increase its |
| use, to create new conditions for creation in order to multiply the |
| possibilities of creation, while respecting the originators in according them |
| recognition and defending their moral rights. |
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| In fact, with the arrival of the digital age, the invention of the Internet and |
| free software, a new approach to creation and production has made its |
| appearance. It also encourages a continuation of the process of experimentation |
| undertaken by many contemporary artists. |
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| Knowledge and creativity are resources which, to be true to themselves, must |
| remain free, i.e. remain a fundamental search which is not directly related to |
| a concrete application. Creating means discovering the unknown, means inventing |
| a reality without any heed to realism. Thus, the object(ive) of art is not |
| equivalent to the finished and defined art object. This is the basic aim of |
| this Free Art License: to promote and protect artistic practice freed from the |
| rules of the market economy. |
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| ——– DEFINITIONS |
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| - The work of art : A communal work which includes the initial artwork as well |
| as all subsequent contributions (subsequent originals and copies). It is |
| created at the initiative of the original artist who, by this license, defines |
| the conditions according to which the contributions are made. |
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| - The original work of art : This is the artwork created by the initiator of |
| the communal work, of which copies will be modified by whosoever wishes. |
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| - Subsequent works : These are the additions put forward by the artists who |
| contribute to the formation of the work by taking advantage of the right to |
| reproduction, distribution and modification that this license confers on them. |
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| - The Original (the work's source or resource) : A dated example of the work, |
| of its definition, of its partition or of its program which the originator |
| provides as the reference for all future updatings, interpretations, copies or |
| reproductions. |
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| - Copy : Any reproduction of an original as defined by this license. |
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| - The author or the artist of the original work of art: This is the person who |
| created the work which is at the heart of the ramifications of this modified |
| work of art. By this license, the author determines the conditions under which |
| these modifications are made. |
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| - Contributor: Any person who contributes to the creation of the work of art. |
| He is the author or the artist of an original art object resulting from the |
| modification of a copy of the initial artwork or the modification of a copy of |
| a subsequent work of art. |
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| ——– |
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| 1. AIMS |
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| The aim of this license is to define the conditions according to which you can |
| use this work freely. |
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| 2. EXTENT OF THE USAGE |
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| This work of art is subject to copyright, and the author, by this license, |
| specifies the extent to which you can copy, distribute and modify it. |
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| 2.1 FREEDOM TO COPY (OR OF REPRODUCTION) |
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| You have the right to copy this work of art for your personal use, for your |
| friends or for any other person, by employing whatever technique you choose. |
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| 2.2 FREEDOM TO DISTRIBUTE, TO INTERPRET (OR OF REPRESENTATION) |
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| You can freely distribute the copies of these works, modified or not, whatever |
| their medium, wherever you wish, for a fee or for free, if you observe all the |
| following conditions: |
| - attach this license, in its entirety, to the copies or indicate precisely |
| where the license can be found, |
| - specify to the recipient the name of the author of the originals, |
| - specify to the recipient where he will be able to access the originals |
| (original and subsequent). The author of the original may, if he wishes, give |
| you the right to broadcast/distribute the original under the same conditions as |
| the copies. |
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| 2.3 FREEDOM TO MODIFY |
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| You have the right to modify the copies of the originals (original and |
| subsequent), partially or otherwise, respecting the conditions set out in |
| article 2.2 , in the event of distribution (or representation) of the modified |
| copy. The author of the original may, if he wishes, give you the right to |
| modify the original under the same conditions as the copies. |
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| 3. INCORPORATION OF ARTWORK |
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| All the elements of this work of art must remain free, which is why you are not |
| allowed to integrate the originals (originals and subsequents) into another |
| work which would not be subject to this license. |
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| 4. YOUR AUTHOR'S RIGHTS |
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| The object of this license is not to deny your author's rights on your |
| contribution. By choosing to contribute to the evolution of this work of art, |
| you only agree to give to others the same rights with regard to your |
| contribution as those which were granted to you by this license. |
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| 5. DURATION OF THE LICENCE |
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| This license takes effect as of your acceptance of its provisions. The fact of |
| copying, distributing, or of modifying the work constitutes a tacit agreement. |
| This license will remain in force for as long as the copyright which is |
| attached to the work of art. If you do not respect the terms of this license, |
| you automatically lose the rights that it confers. If the legal status to which |
| you are subject makes it impossible for you to respect the terms of this |
| license, you may not make use of the rights which it confers. |
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| 6. VARIOUS VERSIONS OF THE LICENCE |
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| This license may undergo periodic modifications to incorporate improvements by |
| its authors (instigators of the "copyleft attitude" movement) by way of new, |
| numbered versions. |
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| You will have the choice of accepting the provisions contained in the version |
| under which the copy was communicated to you, or alternatively, to use the |
| provisions of one of the subsequent versions. |
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| 7. SUB-LICENSING |
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| Sub-licenses are not authorized by the present license. Any person who wishes |
| to make use of the rights that it confers will be directly bound to the author |
| of the original work. |
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| 8. THE LAW APPLICABLE TO THIS CONTRACT |
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| This license is subject to French law. |
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| ——– |
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| DIRECTIONS FOR USE : |
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| - How to use the Free Art license? |
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| To benefit from the Free Art License, it is enough to specify the following on |
| your work of art: |
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| [- A few lines to indicate the name of the work and to give an idea of what it |
| is.] [- A few lines to describe, if necessary, the modified work of art and |
| give the name of the author/artist.] Copyright © [the date] [name of the author |
| or artist] (if appropriate, specify the names of the previous authors or |
| artists) Copyleft: this work of art is free, you can redistribute it and/or |
| modify it according to terms of the Free Art license. You will find a specimen |
| of this license on the site Copyleft Attitude http://artlibre.org as well as on |
| other sites. |
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| - Why use the Free Art license? |
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| 1 / to give the greatest number of people access to your work. |
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| 2 / to allow it to be freely distributed. |
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| 3 / to allow it to evolve by authorising its transformation by others. |
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| 4 / to be able, yourself, to use the resources of a work when it is under Free |
| Art license: to copy, distribute or transform it freely. |
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| 5 / This is not all: because the use of the Free Art License is also a good way |
| to take liberties with the marketing system generated by the dominant economy. |
| The Free Art License offers a useful legal protocol to prevent abusive |
| appropriation. It will no longer be possible for someone to appropriate your |
| work, short-circuiting the creative process to make personal profit from it. |
| Helping yourself to a collective work in progress will be forbidden, as will |
| monopolising the resources of an evolving creation for the benefit of a few. |
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| The Free Art License advocates an economy appropriate for art, based on |
| sharing, exchange and joyful giving. What counts in art is also and mostly what |
| is not counted. |
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| - When to use the Free Art License ? |
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| It is not the goal of the Free Art License to eliminate copyright or author's |
| rights. Quite the opposite, it is about reformulating the relevance of these |
| rights while taking today's environment into account. It is about the right to |
| freedom of movement, to free copying and to free transformation of works of |
| art. The right to work in freedom for art and artists. |
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| 1 / Each time you want to use or put this right into practice, use the Free Art |
| License. |
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| 2 / Each time you want to create works which can evolve and be freely copied, |
| freely distributed and freely transformed: use the Free Art License. |
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| 3 / Each time you want to have the possibility of copying, distributing or |
| transforming a work: check that it is under Free Art License. If it is not, you |
| are liable to be breaking the law. |
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| - To which types of art can the Free Art License be applied? |
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| This license can be applied to digital as well as to non-digital art. It was |
| born out of observation of the world of free software and the Internet, but its |
| applicability is not limited to the digital media. You can put a painting, a |
| novel, a sculpture, a drawing, a piece of music, a poem, an installation, a |
| video, a film, a recipe, a CD-rom, a Web site, or a performance under the Free |
| Art License, in short any creation which has some claim to be a work of art. |
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| This license has a history: it was born at the meeting " Copyleft Attitude " |
| which took place at "Accès Local" and "Public" in Paris at the beginning of the |
| year 2000. For the first time, it brought computer specialists and freeware |
| activists together with contemporary artists and members of the art world. |